Showing posts with label quotes. Show all posts
Showing posts with label quotes. Show all posts

Saturday, July 1, 2023

Schumann's Advice to Young Musician | by: Jelia Megawati Heru | Staccato, July 2023

“KATA-KATA BIJAK SCHUMANN”
SCHUMANN’S ADVICE TO YOUNG MUSICIAN
By: Jelia Megawati Heru
Staccato, July 2023


Robert Schumann adalah seorang komposer dan kritikus Jerman berwawasan ke depan pada zamannya. Schumann merupakan seseorang yang jenius yang unik tidak hanya karena musiknya yang besar dan beragam, tetapi juga karena ia memperjuangkan dan mendukung musisi lain, serta mengajar, menulis, dan mendorong musisi muda yang bercita-cita tinggi.

 

Walau ia mengalami gangguan bipolar dan tidak pernah menjadi pianis virtuoso seperti yang ia harapkan, ia menulis beberapa musik terhebat di era Romantik untuk piano dan Lieder. Musiknya mengantisipasi banyak tren yang akan berkembang dalam 150 tahun setelah kematiannya, dan banyak komposer besar mengakui pengaruhnya yang revolusioner.

 

Salah satunya pada tahun 1848 Schumann menulis sebuah buku yang berisi nasihatnya untuk para musisi muda “Schumann’s Advice to Young Musicians” (Nasihat Robert Schumann untuk Musisi Muda) untuk mengiringi Albumnya yang populer di masa itu, yaitu “Album für die Jugend, Op. 68” (Album for the Young, Op. 68) – sebuah rangkaian karya piano untuk anak-anak dan siswa. 

Wednesday, March 1, 2017

5 HAL YANG WAJIB DIKETAHUI ORANG TUA PADA KELAS PIANO (PARENT'S GUIDE) - by: Jelia Megawati Heru (Staccato, March 2017)

“5 HAL YANG WAJIB DIKETAHUI 
ORANG TUA PADA KELAS PIANO”
(PANDUAN KELAS PIANO BAGI ORANG TUA)
by: Jelia Megawati Heru
Staccato, March 2017


 IT TAKES TWO
“It takes two generations to make a musician - the first generation learns how to learn, and then the second generation has parents who know what it takes to really become a musician. Together they’re laying the foundations for the next generations to have the chance to master an instrument.”

Setelah membaca kutipan diatas, mungkin Anda langsung berpikir: “Waduh, mati deh! Saya nggak bisa baca not balok, buta nada, apalagi tahu letak not dimana? Boro-boro! Apakah itu berarti anak saya tidak bisa mendapatkan kesempatan belajar piano yang lebih baik?” (*panik) It’s ok, calm down! Don’t worry, be happy! Tarik napas dalam-dalam, buang napas! Banyak cara yang bisa dilakukan kok. Orang tua yang pintar selalu menemukan cara untuk mendukung buah hati nya.

Tidak semua orang tua memiliki latar belakang memainkan musik. Jika Anda adalah orang tua yang ingin memasukkan anak Anda ke kelas piano, mungkin Anda akan kewalahan dengan tuntutan berlatih dan bingung dengan apa yang Anda harus lakukan. Tentunya jika Anda ingin terlibat dan mendukung pendidikan musik anak Anda. Jadi apa yang wajib Anda ketahui?

Be prepared for extra cost!

1. SIAPKAN BUDGET EKSTRA
Sebagai orang tua, Anda wajib membayar uang kursus tepat waktu setiap bulannya. Namun yang dimaksud dengan budget ekstra adalah pengeluaran diluar uang kursus piano. Mengapa? Karena hal ini bisa bikin orang tua “bernyanyi”, secara tidak murah dan masuk kategori wajib. Misalnya: buku musik, buku partitur, biaya konser, biaya ujian musik, metronome, pernak-pernik pendukung musik, workshop, masterclass, seminar, piano bench adjustable, foot stool, piano tuning (setem piano), dan investasi piano akustik (bukan keyboard) untuk tujuan jangka panjang.

 

Friday, January 22, 2016

RESENSI BUKU HITAM PUTIH PIANO: WARNA ITU TERNYATA HITAM DAN PUTIH (2016)

"WARNA ITU TERNYATA 
HITAM DAN PUTIH"

FRONT COVER

Judul buku: HITAM PUTIH PIANO
Penulis: JELIA MEGAWATI HERU

Jumlah halaman: 197 halaman
Format: A5, HVS, SOFTCOVER
No. ISBN 978-602-6850-11-9
Penerbit: Pustaka Muda
Tahun Penerbitan: 2016, cetakan pertama
(Limited edition) 


RESENSI BUKU 
HITAM PUTIH PIANO (2016)

Silahkan saja jika orang berujar bahwa kehidupan tak sekedar hitam putih. Sah dan baik saja jika banyak orang berharap bahwa kehidupannya penuh rona warna dan bukan hanya hitam dan putih. Pun elok jika masih ada yang berpendapat bahwa hal-hal prinsip dalam kehidupan, selalu memunculkan “sisi abu-abu” dan tak bisa hanya dinilai sebagai hitam dan putih. Semua ungkapan tersebut nampak benar dalam kesekitaran kenyataan kehidupan yang dialami. Namun, jika kita menukik lebih dalam kepada nurani, dan membiarkan rasa ini menunggah kata, dalam bingkai dan ranah seni, dalam balutan nada, maka ada sebersit terang, bahwa warna itu ternyata adalah HITAM DAN PUTIH.

Wednesday, July 17, 2013

Friendly Video Guide to Famous Classical Composer

FRIENDLY VIDEO GUIDE 
to FAMOUS CLASSICAL COMPOSER
MOZART, BEETHOVEN, CHOPIN, BACH, BRAHMS, TCHAIKOVSKY & VERDI


Do you love Classical Music and don't know where to start?
 
At last, there's some short video and friendly one for the non-classical music lovers, 
that shows some facts about the famous classical composer of all time.
Thanks to Classic FM

Beethoven

Tchaikovsky

for watching more, please visit Classic FM!

There's also some visual facts and pictures facts 
about the history of the composer in the timeline, according the era.
Really great website and helpful to appreciate Classical Music more...

Here's some interesting articles:

Monday, July 1, 2013

A GREAT TEACHER - What might a great teacher looks like?

 A GREAT TEACHER
What might a great teacher looks like?

 
A great teacher turns the light bulb of insight on.
A great teacher inspires you to be who you actually are. 

The shame is that teacher and his students are falsely measured by those standardized tests, not by what he has inspired them to do and become.  

A great teacher imparts his or her subject matter in a way that makes you want to learn more, helps you understand what’s important and why, and helps you see connections between all subjects.

A great teacher helps you when you need help, but also knows when to leave you alone. 

A great teacher knows when you need a shoulder to cry on and when you need a kick in the pants. Often you think a great teacher hates you — only to realize, later, that he or she was pushing you to be and do your best. 

The lessons a great teacher gives you stay with you your whole life. 


Thursday, November 22, 2012

Happy Birthday Quotes & Song

*HAPPY BIRTHDAY*
QUOTES, WISHES & SONG


To keep the heart unwrinkled, 
to be hopeful, kindly, cheerful, reverent 
that is to triumph over old age. 
Thomas B. Aldrich

Pleas'd look forward, 
pleas'd to look behind, 
And count each birthday with a grateful mind. 
Alexander Pope 

Live not one's life as though one had a thousand years, 
but live each day as the last. 
Marcus Aurelius

Life is not measured by the breaths we take, 
but by the moments that take our breath away

 And in the end, 
it's not the years in your life that count. 
It's the life in your years.  
Abraham Lincoln

 

Just remember, 
once you’re over the hill you begin to pick up speed.

Live as long as you may, 
the first twenty years are the longest half of your life.

When you turn thirty, 
a whole new thing happens: 
you see yourself acting like you parents.
Blair Sabol

A diplomat is a man 
who always remembers a woman’s birthday 
but never remembers her age.
Robert Frost 

 Sixteen candles make a lovely light 
But not as bright as your eyes tonight.

A prayer to bless your way
A wish to lighten your moments
A cheer to perfect your day
A text to say HAPPY BIRTHDAY AND LOVE U... 

Birthday Bring Along A truly wonderful chance 
to leave aside every care and simply enjoy. 
Have An Extra - Special Birthday!

If you think you've lived life fully until now, 
then you know nothing. The best years of your life are yet to come. 

Your Birthday is the perfect opportunity 
to take a pause in life, 
look at the things around you, 
sense the feeling of being alive in the depths of your heart 
and promise yourself to do great things. 

The older the fiddler, the sweeter the tune.
- English Proverb -

 

To know how to grow old is the master work of wisdom, 
and one of the most difficult chapters in the great art of living.
Henri Frederic Amiel

Thank you so so much for all the lovely birthday wishes. 
Thank you for making my birthday so memorable.
My birthday would have not been the same without them. 

MY HAPPY BIRTHDAY SONG

"Hooked on Happy Birthday Theme"
For Solo Piano
by: Jelia Megawati Heru


Happy Birthday Theme in famous classical music of all time:
Mozart's "Eine Kleine Nachtmusik", "Elvira Madigan Theme", "Rondo alla Turca"
Beethoven's "Symphony No. 5", "Fuer Elise"
Scott Joplin's "The Entertainer"

Listen my tunes on:

ORIGINS of Happy Birthday 

The origins of "Happy Birthday To You" date back to the mid-nineteenth century, when two sisters, Patty and Mildred J. Hill, introduced the song "Good Morning to All" to Patty's kindergarten class in Kentucky. In 1893, they published the tune in their songbook Song Stories for the Kindergarten.

However, many believe that the Hill sisters most likely copied the tune and lyrical idea from other popular and substantially similar nineteenth-century songs that predated theirs, including Horace Waters' "Happy Greetings to All", "Good Night to You All" also from 1858, "A Happy New Year to All" from 1875, and "A Happy Greeting to All", published 1885.

Monday, June 25, 2012

Miscellaneous Music Jokes, Victor Borge's Quotes & Famous Musician Anecdotes



MISCELLANEOUS MUSIC JOKES




Q: Why did Mozart kill his chickens? 
A: Because they always ran around going "Bach! Bach! Bach!"

These jokes are so bad I can't Handel them.
They make me Lizstless.
They can be too Mendlesohm.
You'd better go out Bach and stay in Haydn

"Music is spiritual. The music business is not." 
Van Morrison 

 "Country music is three chords and the truth."
Harlan Howard

A pianist is playing in a seedy, Mafia-owned tavern in South Jersey...
it's 11:55 PM, and he's 5 minutes away from the end of his gig. 

The owner's assistant comes up to the pianist and says:
"Da boss wants you should play Strangers In Da Nite."
The pianist says: "Okay, no problem."

The henchman continues: "Da boss wants you should play it in F#"...
The pianist says "I usually play it in F, but no problem!"

The henchman goes on: "Da boss wants you should play it in 5/4 time."
The pianist says "But the song is in 4/4 time...How am I supposed to do that?"

Henchman asks him: "Look, you want paid or not?"
So the pianist improvises an introduction,
and as he gets to the opening notes of the song, 
he hears, in a really ugly, raspy voice behind him:
"Strangers in-da-friggin' night...exchanging glances; 
Strangers in-da-friggin' night ..."
 

VICTOR BORGE'S QUOTES

 
"I only know two pieces; 
one is 'Clair de Lune' and the other one isn't."

"I do not have a single white note on my piano; 
my elephant smoked too much."

"I wish to thank my parents for making it all possible...
and I wish to thank my children for making it all necessary."

"In my youth, I wanted to be a great pantomimist,
but I found I had nothing to say."

 
"Did you know that Mozart had no arms and no legs? 
I've seen statues of him on people's pianos."

"Beethoven wrote in three flats a lot. 
That's because he moved twice."

When asked the difference between a violin and a viola, 
Victor replied, "a viola burns longer."

Borge's mischievous sense of humor was manifest from an early age. 
Asked as a child to play for his parents' friends he would announce 
"a piece by the 85-year-old Mozart" and improvise something himself.

Borge came to America to escape the Nazi occupation of Denmark in World War II. 
Starting to re-build his career, he was excited to get a booking at a large club in Florida, 
for which he was to be paid one dollar for each member of the audience. 
Three hundred guests saw his show, which was a tremendous success. 
When it came time to be paid, 
Borge pointed out to the management that 
the club's 40 waiters had also greatly enjoyed his performance. He got $340.


FAMOUS MUSICIAN ANECDOTES 
Leonard Bernstein (1918-1990),
American conductor, composer and pianist. 

On one occasion, Bernstein's father was criticized
for not having given his talented son more encouragement when he was a child.
The father protested, "But how was I to know that he would grow up to be Leonard Bernstein?"


Alexander Borodin (1833-1887),
Russian professor of chemistry and medicine, 
who also composed music in his spare time.

There was a suit in which two young composers sued each other,
each accusing the other of plagiarism.
Borodin was called as an expert witness.
Both compositions were played and the court asked Borodin who was the injured party.
He answered, "My friend Mussorgsky."


Aaron Copland (1900-1990),
US composer.

One day Copland was in a bookshop when he noticed that a woman was buying two books
a volume of Shakespeare, and Copland's What to Listen For in Music.
As the customer turned to leave, he stopped her and asked,
"Would you like me to autograph your book?"
The woman looked blankly at the proud composer and asked, "Which one?"

Vernon Duke (1903-1969),
US composer, born Vladimir Dukelsky in Russia
among his famous songs is April in Paris.
Inspired by Duke's famous song,
a friend of his decided to spend three weeks in Paris one April.
The weather was appalling, and when he returned he told Duke so.
"Whatever possessed you to go to Paris in April" asked the composer.
"The weather in Paris is always horrible in April."  The astonished friend said,
"But, I went there because of your song!"
 "Oh," said the composer apologetically.
We really meant May, but the rhythm required two syllables.

Albert Einstein  (1879-1955),
German born physicist
He lived in the US after 1933 in Princeton, New Jersey,
Einstein played violin in a string quartet.
He thoroughly enjoyed it, but the other musicians were less enthusiastic.
One of the other players confided, "He can't count."

Will Rogers (1879-1935),
US comedian, vaudeville performer, film actor and radio personality. 
Will Rogers received may requests for testimonials for products of all sorts.
He refused to endorse any product that he personally could not put to the test.
When a piano manufacturer asked him to endorse their products,
he wrote, "Dear sirs: I guess your pianos are the best I ever leaned against.
Yours truly, Will Rogers."



Pablo de Sarasate (1844-1908),
Spanish violinist and composer.

A wealthy hostess invited Sarasate to a dinner,
in the hope that her guests might be treated to a free recital by the great player afterward.

During the meal, she broached the subject,
asking Sarasate whether he had brought his violin with him. 
"No, madame," he replied,
"my violin does not dine."

In the latter part of his career,
Sarasate received a visit by a famous music critic, who proclaimed him a genius.
Sarasate commented later, "For thirty-seven years I've practiced fourteen hours a day,
and now they call me a genius!"



Erik Satie (1866-1925),
French composer of songs and piano pieces.

Satie attended the premiere of  Debussy's La Mer,
the first part of which is titled From Dawn to Noon on the Sea.
After the performance, Debussy asked Satie what the thought about the new work.
Satie replied, "I liked the bit about quarter to eleven."


George Shearing (1919- )
Jazz pianist, born in Britain. Came to the USA in 1947. He was blind from birth. 

Asked by an admirer whether he had been blind all his life, Shearing replied, "Not yet."
One afternoon at rush hour, Shearing was waiting at a busy intersection
for someone to assist him in crossing the street.
Another blind man tapped him on the shoulder
and asked if Shearing would mind helping him to get across.
"What could I do?" said Shearing later.
"I took him across, and it was the biggest thrill of my life!"


Sir Arthur S. Sullivan (1842-1900),
British composer and conductor 

Sullivan returned home one night after a lively party 
at which the wine had flowed freely.
His house was one in a row of identical terraced houses on his street,
and he realized that in his inebriated state he couldn't tell which house was which.
His solution to the problem?

He walked along the street,
and in front of each house he kicked the metal shoe scraper that was installed there.
One rang a familiar note. "E-flat, that's it,"
he said quietly to himself, and walked confidently into his own house.

Friday, June 22, 2012

The Art of Music Performance

THE ART of MUSIC PERFORMANCE
by Barry Green


The key to staying in the zone is to stay with the music,
to stay with your role as the messenger
who brings the audience this gift.
This is your obligation and your pleasure.

 When we recognize that the zone exists
and allow ourselves to be touched by it,

we can enter a world of balance, perfection and beauty.

In this space, we are able to perform

from a place of potential that we often don’t realize

 exists within each and every one of us.
This place of musical magic is always there,

as close as our own concentration. 

 When you feel the sweep of the music
flowing through you and trust the instincts
you have established through passion and practice,
you are far more likely to get the individual notes right
 and project the spirit of the music loud and clear.
And it is that spirit of the music
that the audience actually responds to.

So often one can perform memorized music
in the comfort of your private practice space.
But expressing oneself in public
demands a higher level of mastery.


  

THE ART of PLAYING MUSIC TOGETHER
by Barry Green

The process of merging with another individual in a duo
 or a larger group of musicians, or with an audience,
 is the essence of communication

There has to be a willingness to participate
that comes from trusting or letting go
 to the energy and spirit of the music, whether
you are a performer or a member of the audience. 

This communication is made possible
by the silent rhythm that connects everyone.
This is what allows for spontaneous magic
to lift people into a perfect synchrony
where everyone can perform
and experience the music as one.

Monday, June 18, 2012

QUOTES about WA. MOZART

 What other composers say about Mozart?
Read some famous quotes by another composers about WA. Mozart!



“The marvelous beauty of his quartets and quintets, 
and of some of his sonatas, 
first converted me to this celestial genius, 
whom whence forth I worshiped.”  
~  Hector Berlioz, Memoirs

“It is hard to think of another composer who so perfectly marries form and passion.” 
~ Leonard Bernstein

“If we cannot write with the beauty of Mozart, 
let us at least try to write with his purity.”  
~  Johannes Brahms,  
In a letter to Antonin Dvorak

“Together with the puzzle, Mozart gives you the solution.” 
~ Ferruccio Busoni

“Mozart encompasses the entire domain of musical creation, 
but I’ve got only the keyboard in my poor head.” 
Frederic Chopin

“Mozart tapped the source from which all music flows, 
expressing himself with a spontaneity and refinement and breathtaking rightness.”  
~  Aaron Copland, Copland on Music, 1960

“I have never known any other composer to possess such an amazing wealth of ideas. 
I wish he were not so spendthrift with them. 
He does not give the listener time to catch his breath…”  
~  Karl Ditters von Dittersdorf, Contemporary of Mozart, in his Autobiography

 

“Mozart’s music is particularly difficult to perform. 
His admirable clarity exacts absolute cleanness: 
the slightest mistake in it stands out like black on white. 
It is music in which all the notes must be heard.”  
Gabriel Faure

“Before Mozart, all ambition turns to despair.”  
~  Charles Gounod

“In Bach, Beethoven and Wagner we admire principally 
the depth and energy of the human mind;
in Mozart, the divine instinct.”  
~  Edvard Grieg

“I tell you before God and as an honest man 
that your son is the greatest composer known to me; 
he has taste and in addition the most complete knowledge of composition.”  
~  Franz Joseph Haydn,  
to Leopold, Mozart’s father, 
after hearing the six quartets Mozart dedicated to him in 1785

“The place in the center belongs to Mozart, 
due to the universality of his genius.”  
~  Franz Liszt,  
in a letter to Marie zu Sayn-Wittgenstein, December 10, 1872

“I replied, however, that I should be only too happy 
to renounce all my virtues in exchange for Mozart’s sins.”  
~  Felix Mendelssohn, Letters

“Beethoven I take twice a week, Haydn four times, 
and Mozart every day!”  
~  Gioachino Rossini

“Give Mozart a fairy tale and he creates without effort an immortal masterpiece.”  
~  Camille Saint-Saëns

“O Mozart, immortal Mozart, how many, 
how infinitely many inspiring suggestions of a finer, 
better life have you left in our souls!”  
~  Franz Schubert, Diary, 1816

“Does it not seem as if Mozart’s works become fresher and fresher the oftener we hear them?”  
~  Robert Schumann

“The most tremendous genius raised Mozart above all masters, 
in all centuries and in all the arts.”  
~  Richard Wagner

SOURCES:
Encarta Book of quotations, Macmillan (2000)

Mozartiana, Two centuries of Notes, Quotes and Anecdotes 
about Wolfgang Amadeus Mozart
by Joseph Solman, Macmillan (1990)

Sunday, June 3, 2012

Musical Horoscopes

MUSICAL HOROSCOPES 

 
FLUTES
If you are a flute player then you're probably smart, strong, out-going, and have a lot of friends. But you might want to watch out for low brass players because some of them may not enjoy your high pitched melodies.
Compatibility: Trumpets, clarinets and saxophone players are OK, but stay clear from tuba players.

CLARINET
If you play the clarinet then you're most likely to be strong, and strong-willed, skilled and talented, smart, and of course, romantic. The future is always in your past and the past is always in your future. As the same for flute players, watch out for the low brass section. 
Compatibility: Flutes, trumpet and French horn players are advised.
 
OBOE
If the oboe is your skill then you are smart, very talented, well rounded, cunning, dexterous, and clever. Beware of clarinets though, because its just genetic for them to dislike you. 
Compatibility: Flutes, French horns, and trumpet players are all right, but steer clear from clarinets.
 
BASSOON
If you play the bassoon, then congratulations, you could probably get a scholarship where-ever you want. The "requirements" of a bassoon player is being smart, flexible durability, expressive, affected, and pulchritude. Your biggest concern is the trombones, because when you are not there, they have to play your cues.
Compatibility: Clarinets, oboes, French horns, trumpets are OK, but reflect the trombones.

BASS CLARINET
If you play this instrument then you are smart, fun, outgoing, "wild", open-minded, and talented. You really don't have any concerns to think about, so have fun! 
Compatibility: Whatever you choose. 

SAXOPHONE
Saxophone players can vary. You can get all different shapes and sizes of saxophones that it's not even funny! Basically, what all saxophone players have in common is they're all gifted. But beware of trumpet players for their music is not always as cool as yours. 
Compatibility: Clarinets, other saxophones, French horns, trombones, and baritones are OK, trumpets are a no, no.
 
TRUMPETS
If the trumpet is your name then flying is your game. Your music can be hard work, but let yourself soar, because intelligence is your strong point and slaking is your weak. I suggest keeping your eye out for everyone because the trumpet position is a well desired spotlight. 
Compatibility: Flutes, clarinets, oboes, bassoons and bass clarinets are A-OK! But saxophones are your nightmare. 
FRENCH HORN
Playing the French horn can be demanding work, but your quiet personality can overcome. Whether its blowing through the mellophone, or triple tonguing your concert solo........ French horns........ our hats off to you. Like the bass clarinets, you have no enemies, so smile, and I hope that made your day.
Compatibility: Who wouldn't love ya?!
 

TROMBONES
Well trombones. I must say you are very determined people. You should hold your head with pride because the trombone is a tricky instrument to master, and if you've played on into high school then you are truly gifted. But I would advise you not to strut too much because the bassoon is not on your side. And another thing, you are most likely not compatible with fellow low brass players, so don't even try.
Compatibility: Saxophones, bass clarinets, and of course, French horns.

BARITONES
If you play the baritone then you are most likely strong, smart, out-going, open-minded and misunderstood. Unfortunately the baritone is the only brass instrument that is not included in a orchestra. For that we're sorry, the baritone has earned its right there. Your enemy is most likely the trombones, they just don't know it. Keep your senses keen! 
Compatibility: Like the trombones, stay away from other low brass. But! Bass clarinets, French horns and saxophones are OK. 


TUBA
If you play this "umpa, umpa" then you are most likely to be like the bass clarinets. Out-going, "wild" and open minded. Congratulations, you've strived to be different in this world. Not only that but if you play this monstrosity of a horn then you are probably in good shape. As far as your enemies I would say it would be the entire woodwind section, because it is your mission and goal in life to over play them in band. But of course the bass clarinets and saxophones love you because you share the same mission.
Compatibility: Well since the low brass isn't advised and the wood winds hate you, all that is left is, saxophones, bass clarinets, French horns, and the trumpets, or percussionist.
 

PERCUSSIONIST
Well what kind I say about percussionist? Heck they are basically from their own planet. Their smart, talented, and well skilled in the art of playing with sticks. The only real enemy of the percussion is the Band Director, so watch your step. And if you happen to be the Band Director's child, then I'm sorry, I can't help you there, I'm only a web page provider. :) Compatibility: Who knows?

Thursday, May 31, 2012

Humorous Musical Quotations

HUMOROUS MUSICAL QUOTATIONS 


JS. BACH
"You want something by Bach? 
Which one, Johann Sebastian or Jacques Offen?"
Victor Borge (b. 1909), Danish-born American musical humorist

"There's no reason we can't be friends. 
We both play Bach. You in your way, I in his."
Wanda  Landawska  (1877-1959),  Polish concert keyboardist, to a rival (attr.)


A quarter note walks into a bar.
He sees a dotted half note and says to her:
"Baby, you make me whole"

BAD MUSIC
"There is a lot of bad music in every age, 
and there is no reason why this one should be an exception."
 Harold C. Schonberg (b. 1915), American music critic, 
in the New York Times (March 26, 1961)

"Of course the music is a great difficulty. 
You see, if one plays good music, people don't listen, 
and if one plays bad music, people don't talk."
Oscar Wilde (1854-1900), Irish playwright and novelist

"There are more bad musicians than there is bad music."
 Isaac  Stern (b. 1920), Russian-born  American  violinist

ADVICE
"When  a  piece  gets  difficult,  make faces"
Artur  Schnabel (1882-1951),  Austrian  pianist, 

 giving  advice  to  fellow  pianist  Vladimir  Horowitz


 AUDIENCE

"Flint  must  be  an  extremely  wealthy  town:
 I  see  that  each  of  you  bought  two  or  three  seats."
Victor  Borge (b. 1909),  Danish-born  American  musical  humorist,  

speaking  to  a  half-full  house  in  Flint, Michigan.


Furtwangler  was  once told in  Berlin  that  the  people  in  the  back  seats  were  complaining  
that  they  could  not  hear some of   his  soft  passages.
 ''It   does  not  matter,'' He  said, "they  do  not  pay  so  much."
Neville  Cardus,  British  music  critic, in  The  Manchester  Guardian  (1935)



J. BRAHMS
"If   there  is  anyone  here  whom  I  have  not  insulted, I  beg  his  pardon."
Johannes  Brahms (1833-97),  German  composer,  on  leaving  a  party  of  friends.



COMPOSER  & COMPOSING
When  I  was  young,  people  used  to  say  to  me: 

"Wait  until  you're  fifty,  you'll  see.... I  am  fifty. I  haven't  seen  anything."
Erik  Satie  (1866-1925),  French  composer.


"My  music  is  not  modern,  it  is  only  badly  played."
Arnold  Schoenberg  (1874-1951),  Austrian-born  American  composer.


"In  order  to  compose, 
 all  you  need  to  do  is  remember  a  tune  that  nobody  else  has  thought  of."
Robert  Schumann  (1810-1856),  German  composer.


"That's  the  worst  of  my  reputation  as  a  modern  composer. 
Everyone  must  have  thought  I  meant  it." 
Igor  Stravinsky  (1882-1971),  Russian-born  American  composer, 
 on  a  misprint  in  one  of  his  scores.

"Ah,  Mozart!  He  was  happily  married  but  his  wife  wasn't."
 Victor  Borge  (b. 1909),  Danish-born  American  musical  humorist

"Rossini  would  have  been  a  great  composer  ,
if  his  teacher  had  spanked  him  enough  on  his  backside." 
Ludwig  van  Beethoven (1770-1827),  German  composer.

"[Stravinsky's  music  is]  Bach  on  the  wrong  notes."
 Sergei  Prokofiev  (1891-1953),  Russian  composer.



CONDUCTOR  &  CONDUCTING
"Can't  you  read?  
The  score  demands  con  amore,  and  what  are  you  doing? 
You  are  playing  it  like  married  men!"
Arturo Toscanini (1867-1957),  Italian  conductor,  to  an  orchestra.


PIANIST  &  PIANO
" I  always  make  sure  that  the  lid  over  the  keyboard  is  open  before  I  start  to  play."
Artur  Schnabel (1882-1951),  Austrian  pianist,  

asked  the  secret  of  piano  playing.
 

"When  she  started  to  play,  
Steinway  himself  came  down  personally  and  rubbed  his  name  off  the  piano."
Bob  Hope  (b. 1903),  American  comedian



"I  never  practice,  I  always  play."
Wanda  Landawska  (1877-1959),  Polish  concert  pianist.


"I'm  a  concert  pianist. 

That's  a  pretentious  way of  saying:  I'm  unemployed  at  the  moment."
Oscar  Levant  (1906-72),  American  actor, composer  and  pianist,  in  An  American  in  Paris  (1951). 



A PIANIST, SINGER & AUTUMN LEAVES

A pianist and singer are rehearsing "AUTUMN LEAVES"
for a concert and the pianist says:

"OK. We will start in G minor and then on the third bar,
modulate to B major and go into 5/4.
When you get to the bridge,
modulate back down to F# minor
and alternate a 4/4 bar with a 7/4 bar.
On the last A section go into double time
and slowly modulate back to G minor."

The singer says: "Wow, I don't think I can remember all of that."
The pianist says: "Well, that's what you did last time."


FINDING THE RIGHT KEY
Q: "If you were locked in a room with only a piano,
how would you get out?"
A: "Play the piano until you find the right key."

PIANO PLAYER GOT ARRESTED

Q: Why was the piano player arrested?
A: Because he got into treble.




TEACHER
"Time  is  a  great  teacher,  but  unfortunately  it  kills  all  its  pupils."
Hector  Berlioz  (1803-69),  French  composer.



 VIOLIN

"You  see,  our  fingers  are  circumcised, 
which  gives  it  a  very  good  dexterity,  you  know,  particularly  the  pinky."
Itzhak  Perlman (b. 1945),  Israeli  violinist,  

replying  to  a  comment  that  so  many  great  violinists  are  Jewish.